At a recent poetry tutorial, the tutor told me that I was fortunate to have a specialist vocabulary from my day job (as a librarian / library academic) to inform my poetry, and this got me thinking about specialisms and how they can add something exotic to writing.

Today I received an email from the “Knitting Club” at work, and that reminded me of the hours I used to spend poring over patterns with my mother and grandmother as a child. I was particularly absorbed by my mother’s knitting machine (a more modern and versatile model than the one in the video) and have already referenced winding wool for my Grannie in the Tate’s online anthology.

Winchester School of Art holds the Richard Rutt Collection of books used in his ‘History of hand knitting’. Some of his nineteenth century books are available on the library website. Browse through them to get a feel for the language of knitting, or, if you’re a complete novice, watch this video from cyberseams on the basics.

Three choices of prompts:

* Write a poem about knitting, using the vocabulary of these and other sources

* Write about clothing yourself, whether through handicrafts or shopping

* Write a pattern poem using your own specialist language. A pattern poem is like a recipe poem, except that in the end you have a product. So I might write a pattern for making a book, or a library, or a website, and a plumber might write a pattern for a kitchen sink.

Or, of course, respond to any of the images and digital resources in your own way.

I sometimes use this video to show how paper is made traditionally. Towards the end, you can see that there are petals from a local plant embedded in the paper.

Today’s prompt is to think about what you might embed in your writing, either literally in the paper, or in a more metaphorical sense. What effect would this have on the message you are trying to convey - for example, would the scent of a particular plant rise up and complement your message, or would the embedded object break and interfere (e.g. if you embedded a bic biro and it broke, the ink might blot out your poem).

Alternatively, think about your writing practice and the substance on which you choose to write and write about that and the effect it has on your work.

(Source: youtube.com)

This week the Library of Congress announced it has placed its collection of Gottlieb jazz images on flickr - “no copyright restrictions known”. There are 219 pictures from which to choose, but, of course, I wanted to share this great shot of Billie Holiday.
This week’s prompt, though, is an aural one: listen to her famous protest song Strange Fruit and respond … any way you can.

This week the Library of Congress announced it has placed its collection of Gottlieb jazz images on flickr - “no copyright restrictions known”. There are 219 pictures from which to choose, but, of course, I wanted to share this great shot of Billie Holiday.

This week’s prompt, though, is an aural one: listen to her famous protest song Strange Fruit and respond … any way you can.

At a recent poetry tutorial, the tutor told me that I was fortunate to have a specialist vocabulary from my day job (as a librarian / library academic) to inform my poetry, and this got me thinking about specialisms and how they can add something exotic to writing.

Today I received an email from the “Knitting Club” at work, and that reminded me of the hours I used to spend poring over patterns with my mother and grandmother as a child. I was particularly absorbed by my mother’s knitting machine (a more modern and versatile model than the one in the video) and have already referenced winding wool for my Grannie in the Tate’s online anthology.

Winchester School of Art holds the Richard Rutt Collection of books used in his ‘History of hand knitting’. Some of his nineteenth century books are available on the library website. Browse through them to get a feel for the language of knitting, or, if you’re a complete novice, watch this video from cyberseams on the basics.

Three choices of prompts:

* Write a poem about knitting, using the vocabulary of these and other sources

* Write about clothing yourself, whether through handicrafts or shopping

* Write a pattern poem using your own specialist language. A pattern poem is like a recipe poem, except that in the end you have a product. So I might write a pattern for making a book, or a library, or a website, and a plumber might write a pattern for a kitchen sink.

Or, of course, respond to any of the images and digital resources in your own way.

I sometimes use this video to show how paper is made traditionally. Towards the end, you can see that there are petals from a local plant embedded in the paper.

Today’s prompt is to think about what you might embed in your writing, either literally in the paper, or in a more metaphorical sense. What effect would this have on the message you are trying to convey - for example, would the scent of a particular plant rise up and complement your message, or would the embedded object break and interfere (e.g. if you embedded a bic biro and it broke, the ink might blot out your poem).

Alternatively, think about your writing practice and the substance on which you choose to write and write about that and the effect it has on your work.

(Source: youtube.com)

This week the Library of Congress announced it has placed its collection of Gottlieb jazz images on flickr - “no copyright restrictions known”. There are 219 pictures from which to choose, but, of course, I wanted to share this great shot of Billie Holiday.
This week’s prompt, though, is an aural one: listen to her famous protest song Strange Fruit and respond … any way you can.

This week the Library of Congress announced it has placed its collection of Gottlieb jazz images on flickr - “no copyright restrictions known”. There are 219 pictures from which to choose, but, of course, I wanted to share this great shot of Billie Holiday.

This week’s prompt, though, is an aural one: listen to her famous protest song Strange Fruit and respond … any way you can.

About:

Writing exercises and prompts based on special collections and their websites.

Originally conceived as a workshop for Essex Poetry Festival 2008.

More background info here.

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